In
the late 1970s, the winter was in full swing as usual in the state of Minnesota
and especially, Minneapolis, its largest city. During the course of the
bitterly-cold winter, Roger Nelson, a 19-year-old young man wanted to practice
music with his high school buddies. But the other young men were not in any
mood for music in that gloomy weather.
They
were only interested in what most young adults of that time wanted to do; turn
into couch potatoes before TV all day, get cozy with some girls while playing
“house” or simply brood around home all day while waiting for spring to replace
winter.
Roger
Nelson however decided to go all alone. All through the winter, the young man
pushed himself to the limits as if his life depended on it. He tried his hands
on about 27 different musical instruments. By the end of the winter, Roger had
mastered them all. Then, he went to a local studio where he single-handedly
produced a “demo” tape.
With
this “demo” tape in hand, Roger Nelson packed some bags, got into a Greyhound
bus to bid Minnesota farewell. This was a time when many black singers and
musicians were trooping mainly to the “Mecca” of black entertainers, Motown
Records in Detroit. But not this young man.
He
went to Hollywood where the “big operators” in terms of music studios,
operated. The moment he got down from the bus, Roger proceeded immediately to
visit the studios and to give out copies of his tape. Afterward, he decided to
wait for responses.
He
did not have to wait long. Four studios got in touch with him and expressed
interest in giving him a recording contract. Most individuals in such a
circumstance would have jumped up excitedly in joy and even grabbed the
contract papers to sign without reading it. But not Roger Nelson.
In
place of excitement, he began to lay a condition for each studio. He either was
permitted to play all the necessary instruments and be designated as the
producer of the album or else, he would not sign any contract. To the stunned
and angry executives of each of these studios who, usually were known for their
tall egos, the young man had a nerve. Of course, they threw him out!
Roger
Nelson was undaunted. He continued to bid his time. That was until Warner
Brothers came along and obliged him. Promptly, he went to work.
And
the resulting album which was released in 1979 was titled “I wanna be Your
Lover”. The studio executives were ecstatic in their excitement and strong
approval for the album which was immediately projected to be a hit.
They
were absolutely right!
The
song went straight to number one on all the charts. But before it was released
to the market at all, the young singer laid down another rule; his real name,
Roger Nelson must never appear on the album. He chose to be known as Prince,
the album title!
I Wanna be Your Lover
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